Pooja Bhatt’s Relevance Is A Bitch

<p>In the opening scene of Pooja Bhatt&rsquo;s film debut&nbsp;<em>Dil Hai Ke Manta Nahin</em>&nbsp;(1991), Anupam Kher, who plays her father (also her&nbsp;<em>Daddy</em>&nbsp;in her &rsquo;89 television debut) says, &lsquo;<em>For your naughtiness I will eat a papad and you will get a jhapad.&rsquo;</em>&nbsp;A flustered Pooja runs on the deck of her father&rsquo;s ship and jumps into the sea.</p> <p><img alt="" src="https://miro.medium.com/v2/resize:fit:700/1*4L-tdMGhalYWDLAXxPdeBA.png" style="height:296px; width:700px" /></p> <p>Her grand entry into cinema is through the exit door.</p> <p>She leaves even before she can be gainfully established. This trope of leaving abruptly has defined her career throughout.</p> <p>She recently returned in&nbsp;<em>Bombay Begums</em>&nbsp;(2021) after a twenty-year gap saying, &lsquo;<strong>Relevance is a bitch</strong>&rsquo; in a recent Film Companion interview.</p> <p><a href="https://medium.com/@manishgaekwad/pooja-bhatts-relevance-is-a-bitch-62758dc74354"><strong>Visit Now</strong></a></p>
Tags: Pooja Bhatts