You Can Ignore Your ‘Self’ and Just Improve
<p>Incollege I learned an exercise that drastically improved my writing skills. Writers call the practice <em>E-prime</em>.</p>
<p>To write in <em>e-prime</em>, simply omit any version of the word “to be” from your prose. Drop <em>is, am, are, were, </em>or <em>was</em>, and also their cousins — the <em>isn’ts,</em> the <em>will-bes, </em>the <em>would-have-been, could-have-been, should-have-beens</em> — scrap them all. Simple, right?</p>
<p>Not really. Writing in <em>e-prime</em> hurts like a kick to the cortex. But it works wonders; you find yourself thinking constantly about how to replace passive <em>be-</em>type<em> </em>language with more active, verby sentences that haul major freight. Active prose front-loads your writing and gives it a satisfying “oomph.”</p>
<p>Your characters come into greater focus when you describe them using their actions. If I say <em>John was wicked</em> that could mean any old thing. If I say <em>John shot the deer twice, once to kill it, and once because it made him smile</em>, you feel John’s wickedness down in your stomach, and worry.</p>
<p>A picture equals a thousand words, but a good writer with action verbs can paint you a picture with a sentence or two. For those who excel at it, then, writing action multiplies prose, because actions carry far more weight than abstractions.</p>
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