Why the Mikado is Anti-Racist.

<p>I recently saw a production of Gilbert and Sullivan&rsquo;s&nbsp;<em>the Mikado</em>&nbsp;renamed&nbsp;<a href="https://dpb-web.instantencore.com/program/43509/page/79256?cid=5130233" rel="noopener ugc nofollow" target="_blank"><em>Il Ducato</em></a>&nbsp;and set in Milan instead of Japan. This reminded me of another rewritten version I read about online called&nbsp;<em>the</em>&nbsp;<a href="https://www.gilbertsullivan.org/shows/the-mcado-2022/" rel="noopener ugc nofollow" target="_blank"><em>MacAdo</em></a><em>&nbsp;</em>, which was set in Scotland. Both of these shows struck me as solution in search of a problem, and to switch metaphors, a case where the cure is worse than the disease.&nbsp;<em>Il Ducato</em>&nbsp;still had enough of the show&rsquo;s original sparkle to be worth watching, but it didn&rsquo;t benefit from the retelling in any way whatsoever. The only reason it was set in Milan is that this is the only Italian city whose name rhymes with &ldquo;Japan&rdquo;. (As does the word &ldquo;Scotland&rdquo;, sort of.) The only reason that&nbsp;<em>the MacAdo</em>&nbsp;was set in Scotland was that none of the people complaining about Apu on&nbsp;<em>the Simpsons</em>&nbsp;ever complained about the Scottish caricature of Grounds Keeper Willie.</p> <p><a href="https://teedrockwell.medium.com/why-the-mikado-is-anti-racist-d1d81e21387"><strong>Read More</strong></a></p>
Tags: Mikado