Slippage: Thoughts on Liminal Space in Contemporary Art

<p>&ldquo;When you&rsquo;re looking at two things, don&rsquo;t look at them, look between them.&rdquo;</p> <p>&ndash;John Baldessari</p> <p><em>Note: This is a curatorial statement written in conjunction with an exhibition I curated title&nbsp;</em><a href="https://601artspace.org/" rel="noopener ugc nofollow" target="_blank"><em>&ldquo;Slippage.&rdquo;</em></a><em>&nbsp;If you find yourself in New York City this Summer, you are invited to visit!</em></p> <p>This exhibition explores what it means to function in a liminal space between two states of being and highlights moments of &ldquo;slippage,&rdquo; the liminal experience occurring at the juncture where disparate elements meet. After researching liminality as seen in literature, psychoanalysis, and my own observations during a global pandemic, I came to see liminality not as a discomfort to avoid, but as a generative site. Gaston Bachelard wrote in the The Poetics of Space that &lsquo;imagination augments the values of reality;&rdquo; art is that augmentation brought to life, and as viewers we can occasionally see the lines between the world as it has existed and how an artist shapes and re-presents it to us.</p> <p>The five organizing themes for Slippage are Home &amp; Privacy, Physical Distance, Nature&rsquo;s Adaptation, Between Materials, and Moments of Action. These topics were identified through conversations with the artists, when possible, and my own research. They are not fixed categories, and I encourage visitors to rearrange works in their imagination to create new groupings from what they see.</p> <p><a href="https://medium.com/art-adjacent/slippage-thoughts-on-liminal-space-in-contemporary-art-68d68d46ae75"><strong>Visit Now</strong></a></p>