How Vampire Weekend’s Modern Vampires of the City Helped Me Navigate My Faith.

<p>Compared with their older albums,&nbsp;<em>Vampire Weekend (2008)&nbsp;</em>and&nbsp;<em>Contra (2010),&nbsp;</em>we can really see how much Vampire Weekend has developed, both musically and as a band.&nbsp;<em>Vampire Weekend&nbsp;</em>symbolizes youth, the sounds of Columbia dorm room &mdash; preppy and catchy with obvious African influence. The lyrics are fun and pretentious, kinda like college. With more sentimental songs like&nbsp;<em>I Think Ur A Contra, Contra&nbsp;</em>symbolizes adolesence, the confusion of growing up &mdash; how hard it is for young adults to get their shit together. Here, they toned down their African influence and explored deeper, more melancholic tunes.&nbsp;<em>Modern Vampires,&nbsp;</em>on the other hand, is musically diverse. We still have bright fun sounds like&nbsp;<em>Finger Back</em>&nbsp;and&nbsp;<em>Worship You</em>, reminiscence of their older works, yet here we&rsquo;re presented with something as grim as&nbsp;<em>Hudson &mdash;&nbsp;</em>something we&rsquo;ve never seen before<em>.</em></p> <p><a href="https://namivague.medium.com/how-vampire-weekends-modern-vampires-of-the-city-helped-me-navigate-my-faith-9f51a825ae91"><strong>Learn More</strong></a></p>