How Vampire Weekend’s Modern Vampires of the City Helped Me Navigate My Faith.
<p>Compared with their older albums, <em>Vampire Weekend (2008) </em>and <em>Contra (2010), </em>we can really see how much Vampire Weekend has developed, both musically and as a band. <em>Vampire Weekend </em>symbolizes youth, the sounds of Columbia dorm room — preppy and catchy with obvious African influence. The lyrics are fun and pretentious, kinda like college. With more sentimental songs like <em>I Think Ur A Contra, Contra </em>symbolizes adolesence, the confusion of growing up — how hard it is for young adults to get their shit together. Here, they toned down their African influence and explored deeper, more melancholic tunes. <em>Modern Vampires, </em>on the other hand, is musically diverse. We still have bright fun sounds like <em>Finger Back</em> and <em>Worship You</em>, reminiscence of their older works, yet here we’re presented with something as grim as <em>Hudson — </em>something we’ve never seen before<em>.</em></p>
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