Can Netflix Critique Itself? (ft. Black Mirror)
<p><em>Netflix</em> recently launched its sixth season of the anthology series <em>Black Mirror</em>, and its inaugural episode, <em>Joan Is Awful,</em> is quite a doozy. The episode is a bit of self-parody where a Streamberry viewer (i.e. a viewer from a platform very similar to Netflix) named Joan watches in horror as a show is aired based exactly on her life, plus or minus some significant embellishments (she is played by Salma Hayek, yall).</p>
<p>The second episode, <em>Loch Henry</em>, continues the self-parodying trend with amateur documentarians attempting to create content about a series of gruesome murders in one of their hometowns. They ultimately create this content for Streamberry, and we get an examination of the behind-the-scenes nature of how this content is made and what purposes it serves.</p>
<p>What follows are narratives that heavily come down against the content media environment Netflix helped build. This type of product raises the interesting question of “whether a company like Netflix can actually be receptive to such commentary, even for the ones aired on its own platform?”</p>
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