Can Netflix Critique Itself? (ft. Black Mirror)

<p><em>Netflix</em>&nbsp;recently launched its sixth season of the anthology series&nbsp;<em>Black Mirror</em>, and its inaugural episode,&nbsp;<em>Joan Is Awful,</em>&nbsp;is quite a doozy. The episode is a bit of self-parody where a Streamberry viewer (i.e. a viewer from a platform very similar to Netflix) named Joan watches in horror as a show is aired based exactly on her life, plus or minus some significant embellishments (she is played by Salma Hayek, yall).</p> <p>The second episode,&nbsp;<em>Loch Henry</em>, continues the self-parodying trend with amateur documentarians attempting to create content about a series of gruesome murders in one of their hometowns. They ultimately create this content for Streamberry, and we get an examination of the behind-the-scenes nature of how this content is made and what purposes it serves.</p> <p>What follows are narratives that heavily come down against the content media environment Netflix helped build. This type of product raises the interesting question of &ldquo;whether a company like Netflix can actually be receptive to such commentary, even for the ones aired on its own platform?&rdquo;</p> <p><a href="https://fanfare.pub/can-netflix-critique-itself-ft-black-mirror-e4ca57f79fcc"><strong>Click Here</strong></a></p>