Vandalism vs. Legacy: Street Artist’s Controversial Acts Disrespect Basquiat’s Memory

As an artist and an avid admirer of Basquiat, I find the actions of Roberto Palacio(Jericho Drumm), in repeatedly whitewashing the building where Basquiat lived and worked, deeply troubling and disrespectful. Street art has always had an element of impermanence, but there is an unspoken code of respect among street artists. Palacio’s actions not only violate this code but also show a blatant disregard for the rich history of the 57 Great Jones Street building as a graffiti spot and a tribute to Basquiat. Basquiat himself, known for his unique and expressive street art, would likely never have approved of such wanton destruction of fellow artists’ work. It’s essential to remember that street art is a form of self-expression and a way for artists to share their thoughts and feelings with the world. Palacio’s actions seem to be more about self-promotion than genuine artistic expression. The timing of Palacio’s actions, coinciding with Angelina Jolie’s lease of the building, raises questions about his motivations. While he may have a personal agenda or disagreement with Jolie’s use of the space, it’s inappropriate to take out his appalling act on the building’s art and the memory of Basquiat. Instead of engaging in a meaningful dialogue or peaceful protest, he has chosen to vandalize and destroy. <a href="https://unnikrishna.medium.com/vandalism-vs-legacy-street-artists-controversial-acts-disrespect-basquiat-s-memory-aa7097742a0e">Click Here</a>