Bodies, Bodies, in the Mansion and the Garden
<p><strong>Sculpture offers a 3D freeze frame of life.</strong> It is wonderful to experience and usually a bitch to photograph (I guess I should be more polite: a b***h). Capturing the dynamism of great sculpture — heck, even of mediocre sculpture — in two dimensions is reductive, of course, often to the point of “what’s the point?” But one soldiers on, particularly when confronted with sculptures that interact not only with the viewer but with each other.</p>
<p>This winter the curators at the Musée Rodin in Paris were clever enough to invite the <a href="https://www.antonygormley.com/" rel="noopener ugc nofollow" target="_blank">British sculptor Antony Gormley</a> to use not only their indoor temporary exhibition space but also spaces in and around Rodin’s work in the Hôtel de Biron and the garden, to display his pieces. The exhibit is called “Critical Mass.”</p>
<p><a href="https://medium.com/city-life/bodies-bodies-in-the-mansion-and-the-garden-6f66dd5308b8"><strong>Click Here</strong></a></p>