Marina Abramović’s Rhythm 0: The Boundaries of Art and Humanity
<p>The Concept of Rhythm 0:<br />
In 1974, Marina Abramović created one of her most infamous performance pieces, Rhythm 0. <strong><em>The concept was simple yet daring—she placed 72 objects on a table and invited the audience to use them on her however they desired</em></strong>. From harmless items like flowers and brushes to potentially dangerous ones such as a gun and a knife, the objects represented a spectrum of possibilities for interaction.</p>
<p>During the performance, Abramović's instructions were clear and unsettling: "I am the object. During this period, I take full responsibility." <strong><em>She committed herself to a six-hour period of passive endurance, leaving the audience with complete control over her body and fate</em></strong>.</p>
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